KALIDASU(2008)  

Sunday, August 10, 2008


Sushant – grandson of ANR and Subba Rao (Prasad Art Pictures) – is making his debut as hero with the film Kalidasu. This film is releasing all over Andhra on 11 of April. Idlebrain.com had chitchat with the producers Chintalapudi Srinivas and Naga Suseela (daughter of ANR). Here are the excerpts of chitchat –

What is your reaction when Sushant expressed his desire to act in films?
Naga Suseela: Sushant has been a quite guy since childhood though he has been fascinated by films. I tried to discourage him when he expressed his willingness to act in films during his graduation time. I asked him to complete the graduation first. He asked me again after completing graduation and I had to honor my word.

What is the reason behind keeping your banner name as Sri Nag Corporation?
Srinivas: Sri stands for my name and Nag stands for Naga Suseela (also Nageswara Rao and Nagarjuna).

Why did you select Sushant as hero?
Srinivas: I was impressed by the show reel done on Sushant during his acting training days at Mumbai.

What is the involvement of Nagarjuna in this film?
Naga Suseela: Nagarjuna is there with us right from the start of the project. He is the one who okayed the storyline. He also gave a valuable suggestion about shooting. Since Sushant is new, Nagarjuna suggested us to split the entire shoot into six schedules and let each schedule take place for 15 days a month. It gives some time to Sushant to be more perfect in his work.

How is Sushant as an actor?
Srinivas: He worked like a veteran. He did an amazing job.
Naga Susheela: We observed improvement from day to day. .
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JOKER  


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JOHNNY  


Credits

Jeevi rating: 1.5/5
Punchline: Tests your patience
Genre: Love
Banner: Geetha Arts
Cast: Pawan Kalyan, Renu Desai, Raghuvaran, Geeta, Devi Charan, Lalitha Dubey, Mallikharjuna Rao, MS Narayana, Narsing Yadav, Brahmaji, Satya Prakash, Ali, Melkote, Punit Issar
Music: Ramana Gogula
Photography: Shyam Palav & Chota K Naidu
Dialogues: Satyanand
Art: Anand Sai
Editing: Yousuf Khan
Thrills: Vijay & Ridley
Costumes & Production designer: Renu Desai
Producer: Allu Arvind
Story - Screenplay - Direction: Pawan Kalyan
Theatrical release date: 25th April 2003
Review

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Story

Johnny (Pawan Kalyan) is an orphan and a martial arts coach. He falls in love with another orphan called Geetha (Renu Desai), who is a teacher. They get married. Later on, it is revealed that Geetha suffers from blood cancer. She needs lots of money to get operated. Rest of the story is about how Johnny managed to get the money through fights to save Geetha.

Artists:

Pawan Kalyan: Pawan looks good in the get up of Johnny. He did extremely well in pathos scenes. His antics are very stylish in the beginning of the film. He did well in fights too. Pawan Kalyan looks rugged and manly with an exercised body.

Renu Desai: She is the perfect fit for the role of Geetha. She looks extremely homely in this film by wearing sarees and choodidaars. Her histrionics in hospital scenes are worth applauding.

Others: Devi Charan is impressive in the debut fight as Chinna Gouse. MS Narayana is good in the beginning of the film and became stale later. Mallikharjun did a good character role. Raghuvaran did the role of Pawan's father. Lalith Dubey did the role of English-speaking stepmother to Pawan Kalyan. Ali did a good role. Brahmaji did an unimportant role of police officer.

Technical Departments:

Story: There is no story in the film. Having the right kind of twist is very important for any story in the first half. But, the first half of this film is so plain that if they put 'The End' card during interval, it does not look odd. The first drawback of the film is lack of proper storyline.

Screenplay - Direction: Screenplay of 'Johnny' is pathetic. The scenic order is chaotic. Direction of the film is good in patches. The director did a sensible job when portraying the emotional scenes (from hero's side) in a proper way. The narration of the film is terribly slow.

Dialogues: I can't give a comment on these dialogues as most of the dialogues are not audible due to the 'spot dubbing technique' and other few dialogues can't be understood by the common Telugu viewer as they are written in Hyderabadi and Mumbayya Hindi.

Music: Background music of the film is incomplete. You can find some part of the film void of any background music. Three songs - Narazu kaaku, neelo nenoka sagamai and ee reyi teeyanidi - are good.

Other departments: Photography by Shyam Palav and Chota K Naidu is impressive. Editing by Yousuf Khan is not up to the mark. This film's length is almost 3 hours. Hence it makes you squirm in your seats. The local fights by Vijay and ring fights by international Ridley's team are good. The costumes of Pawan Kalyan are nice. These costumes suited his body language and his physique. Art by Anand Sai is good. Most of the interiors in this film are made with wood. The producer Allu Arvind could have taken more care in the script.

Analysis:
First half of the film is pretty slow. Second half is pathetic. There is no nativity in the film. The good points on the screen in this film are 3 songs, fights and the love track between Pawan and Renu in the first half. Pawan Kalyan lets the viewers down with his directorial capabilities. The main drawback of the film is lack of proper story and bad screenplay. One can watch this film with an academic interest to study how not to direct a film. This film has all style and no substance. Normal viewers can safely avoid watching this film.
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JOHN-APPA-RAO  


Venkat Kuchipudi is directing a film titled ‘John Appa Rao 40+’ with Krishna Bhagawan and Simran in the main leads. Venkat held a press meet to explain the progress. Here are the excerpts -

Krishna Bhagawan said, “I am not the kind of guy who jumps at hero offers as I know what I am and my limitations. But when Venkat Kuchipudi narrated me the story, I felt as if he had written in by keeping my strengths in mind. And when he told Simran is doing the heroine role, it was a shock of life time to me. This script has Bhagyaraja touch in it. It is a comedy film with some suspense element. I knew Venkat Kuchipudi even before I became busy as comedian. He called me long back to work as a dialogue writer for his script ‘Vamsi & Varma’.”

Director Venkat Kuchipudi
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JEBU DONGA  


Movie title : Jebu Donga
Year of Release : December 25, 1987
Cast: Chiranjeevi, Bhanu Priya, Radha, Sutti Velu, Kannada Prabhakar, Gollapudi Maruthi Rao, Kaikala Satyanarayana, Raghuvaran, Annapoorna, Hari Prasad, Shanmukha Srinivas, CSR Rao

Music : Chakravarthy
Direction : A. Kodanda Rami Reddy
Producer : Chatterjee
Banner : Roja Movies

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JEANS  



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JAYAM-MANADERA  


Credits

Jeevi Rating: 2.75/5 (Two and three quarter on a scale of five)
Genre: Action/Romance
Cast: Venky, Soundarya and Bhanupriya
Music: Vandemataram Sreenivas
Dialogues: Paruchuri Brothers
Story, Screenplay and Direction: N Shankar
Producer: D Suresh Babu
Theatrical Release Date: 7th October 2000
Review

Story

Abhiram(Venky) is a fun loving guy staying with his parents in Europe. A bunch of 10 people won the contest of Thumps up, which gave them an opportunity to tour Europe. Uma (Soundarya) is one of the contest winners. Abiram likes Uma and acts as a tour companion for them during their stay in Europe. A shy Uma could not express her love towards him so she leaves a message in Abhiram's answering machine. But Abhiram could not listen to the message at the right time. Hence, Uma presumes that Abhiram does not love her and leaves back to India with her companions.

Abhiram, who happened to listen the message after Uma left, calls up Uma and make a contact with her. But it's too late for him, as the father of Soundarya (Prasad Babu) commits a marriage for her daughter with Purushottam (Surya), the son of main villain (Jaya Prakash).

On the other track, a parallel story is running in which Jaya Prakash and his gang of goons is searching for 'Rudrama Naidu'. When the father of Prasad Babu sees the photograph of Abhiram, he gets frieghtened and approach Jaya Prakash with the photograph. Jaya Prakash wants to eliminate 'Abhiram'.

When Abhiram comes to know that Uma may be forcibly getting married another guys, he decides to come to India to marry his sweetheart. Just when he comes of the airport, a gang that is after his life chases him and Uma. They (Abhiraam & Uma) could manage to slip off the goons and get ready to flee from India to Europe. During that time, goons again chased him and he is saved by Jhansi in a nick of time. She takes him to a hideout where a group of people hide.

They explain his about his flash back. He is the son of Mahadeva Naidu (Venky), who was the savior or Dalitulu and downtrodden people of 'Karamchedu'. He libarated the 'Dalitulu' in that area and he was killed by the villains, who are none but his relatives (Jaya Prakash). At the time of killing Rudrama Naidu (son) and Jhansi (daughter) are taken away by the lieutenants of Mahadeva Naidu so that they can be saved. At the time of killing Mahadeva Naidu swears that 'Rudrama Naidu' would come back and destroy the villains and save the poor people.

Rudrama Naidu, who is raised as 'Abhiraam', comes to know about the flash back and rest of the film is about how he takes the revenge.

Performance

Artists

Venky: Venky has done two roles as Mahadeva Naidu and Rudrama Naidu (aka Abhiraam). His has done justice to both the roles. But in his Abhiram role, he looked like has put on a few extra pounds of weight. His get-up as 'Mahadeva Naidu' is good. But his mannerisms are not different from earlier roles. His body language did not change for that character. In this film, when Venky come to stop Uma marriage, he utters a few ferocious dialogues that resemble Balayya dialogues of 'Samarasimha Reddy'. But Venky could not evoke any response from the viewers for the dialogues.

Soundarya: Soundarya played a glamour doll in this film. Her role is confined to first half. She hardly has some footage in the second half. Venky teases her in the film that she is fat Uma. Sounds like Venky is right in his judgment.

Bhanupriya: Bhanupriya has done the role of wife of 'Mahadeva Naidu'. He did her bit with full zest. And her role is very similar to her 'Ayodya Ramayya' role.

Technical Departments:

Dialogues: Paruchuri has given good dialogues for this film. But some of them may not be suitable for Venky.

Music: Music is a major letdown for this film. Vandemataram Sreenivas is given an opportunity to work with any of the top 4 heroes for the first time and he failed to make best out of it. Hen Keeravani and Mani Sharma has given an opportunity to work with the top 4 in the past with Kshanakshanam and Bavagaru Bagunnara, they delivered musical hits. On the top of it, 3 songs from the audio album are cut down and another song (solo by Vandemataram for 'Mahadeva Naidu' was introduced). There is no continuity and smoothness in the film.

Screenplay: Screenplay is bad in the second half. It's pretty ordinary.

Direction: N Shankar has failed to utilize opportunity to direct Venky. His handling of climax is of very bad taste. Even the comedy scene where LB Sriram does vulgar stuff is of poor taste. He handled well certain scenes of 'Mahadeva Naidu'. At the end of the film, he wrapped up the climax.

Production: D Suresh Babu, who has flair for youth films with perfect script, has erred beyond repair for this film. Looks like he got confused about the script of the film and produced a film of story that would suit for the people a couple decades back.

Analysis: First half of the film is ok. But the second half of the film is boring and as we reach the climax, the situation worsens. It's very hard to believe that Venky has chosen such a film at this point of his career. Venky, who won the hearts of everyone with sympathetic roles in Raja and Kalisundam Raa could not deliver goods when it comes to doing the revenge taking youngster role. At certain parts of the second half, you will get a feel like you are watching a Sri Hari film (those senseless stunts and exaggerated dialogues). There is similarity in the story of 'Ayodya Ramayya' and 'Jayam Manadera'. The much-hyped 'Matrix' time freeze effect is not effective and unimpressive in the film. This film may not do well in A centers. We have to wait and see how it's going to fare in B and C centers.
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